The series of interactive artworks and installations represent a sustained investigation into non-verbal, embodied, and participatory modes of interaction through sound, visual abstraction, and computational logic. The various projects explore the convergence of interaction, image, and sound as a dynamic field of meaning-making. They are situated at the intersection of synesthetic experience, algorithmic systems, and intuitive play, offering participants an immersive and often collaborative environment in which musical and visual compositions unfold through physical gesture and real-time feedback. Central to the artistic strategy is the notion of interaction where the aesthetic output emerges directly from the user's movement and engagement. The works avoid conventional narrative or symbolic content, instead proposing an alternative mode of expression grounded in the tactile and perceptual. By integrating physical interfaces such as shadow play, object manipulation, and gesture recognition with algorithmically generated audiovisual elements, the installations dissolve boundaries between performer and audience, tool and artwork.